You should not avoid the possibleness to buy a 
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4mm Round Ruby Stud Earrings set in 14 Karat Yellow Gold Brand : Amanda Rose Collection |
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- Total Gem Weight: 0.6 ct tw
- Settings: 14K yellow-gold
- Stones: 4 mm Ruby
 
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We feature chosen the unexceeded Ruby Earrings Yellow Gold. Some of the Ruby Earrings Yellow Gold and opine you faculty equal it. For your restroom, you do not penury to be complicated. Gain a Ruby Earrings Yellow Gold from one to other anymore. The Ruby Earrings Yellow Gold is wagerer and cheaper here then.In Thailand, evidence of the embellishment designs, partly, have been studied straight through the accessories of Buddha images or the kings' and members of royal families' ornamentations. This is because, in the past, the ornaments showed collective status. There were orders imposed, which clearly stated which caste could use which ornaments, or objects. For example, the estimate of ornaments a man belonging to a distinct order of precedence can wear and what kind of objects can be worn; a man of a distinct status can or cannot wear a distinct object; if a man violates the order, what punishment it will be. These rules do not only apply to embellishment but also to clothing. For instance, a man of distinct status should wear flower prints with patterns and colours. Or, for an embellishment made of gold decorated with diamonds, only the king can wear. Or, Rachavadee enamelled gold ornaments are worn by the prince or princess. Gold ornaments are allowed to wear only by the prince (in the grandchild generation of the king.) Aristocrats who are not Praya (a nobleman higher in rank than Pra, lower than Chao Praya) can wear silver objects. Lowly habitancy use copper.
Ruby Earrings Yellow Gold
In learning documents written in the past, the word embellishment did not exist. However, there are words categorizing ornaments into two categories: Siraphorn, which means head ornaments and Thanimpimpaphorn, which means body, and head ornaments (Siraphorn.) These define positions and the order of precedence (or estate or feudalistic status) (Fine Arts group 1993, P. 34).
Furthermore, apart from the four necessities for maintaining life, food, clothing, medicines and shelter, which are the underlying needs, human beings also want to have facilities and other objects for the ritual of life, they want to attain the spirituality of mind, which make life more complete, sacrificing a basic cycle of life; birth, old age, suffering, and death. They also want to differentiate themselves and show self-importance to society. In the past, body embellishment with natural objects such as colours from natural resources for painting, flowers, leafs, feathers, shells, bones, canine teeth, ivory, etc., were brought into use. Such embellishment is for the purpose of attractiveness or power or expression of courage.
This naturally shows one's delight and self-uniqueness, which ordinarily happens in every community in the world. This, also, shows the underlying relation in the middle of human beings and jewellery from the past until the present. Although jewellery is not part of the needs for life, they are objects generating one's fulfilments and regarded as prominent for one's mind, which has an sway on one's living. The designs and objects brought into body embellishment or to embellishment yield have evolved from a particular duration of time and objects found.
Evolution of Jewellery In Relation to Buddhism
Based upon archaeological evidence, records and other documents, together with jewellery discovered at a estimate of antique sites, Thai jewellery together with its stories and evolution have existed along with Thai history. The designs of the ornaments have been industrialized according to the convert of duration and to the sway of a distinct trust of a particular period.
All the ornaments are used as sacred items. The favorite ones are in the forms of, for example, fig leaves, leaves of a papal tree, which has a heart-like shape and are believed to be sacred leaves of a heavenly tree. Among a collection of precious items discovered and brought into ornamentation, gold is the most favorite and most widely used because of the neatly of its colour, brightness, its good quality, rustlessness, rarity and its expensive price. an additional one is the use of precious stones in Thailand associated to the trust of colours of Hinduism. Countries in the eastern part of the world are, to a distinct extent, influenced by India's art, culture and practice. Thailand received distinct ideas about embellishment in the tenth century and descended until the eighteenth century where Thailand evolved its own characteristics of jewellery according to the convert of time. Such precious stones brought into body embellishment are of nine kinds, called Nawarattana. They are coral reefs, topaz, sapphire, ruby, a bort, a brilliant, an emerald, zircon, garnet. However, it (Nawarattana) is defined differently in some books. That is, Nawarattana are sacred objects that are: pearl, ruby, topaz, diamond, emerald, lapis lazuli, coral reefs, sapphire and garnet, all of which are the colours of the three gems of Deva or of the nine planets of the solar system. There is Lapis lazuli but not zircon.The nine precious stones representing Deva are:
o Pearl representing the colour of the full moon
o Ruby representing the colour of the sun
o Topaz representing the colour of Jupiter
o Diamond representing the colour of Venus
o Emerald representing the colour of Mercury
o Coral reefs representing the colour of Mars
o Sapphire representing the colour of Saturn
o Cat's eye representing the colour of the waxing moon (1st half of lunar month)
o Garnet representing the colour of the waxing moon (2nd half of lunar month.) (Fine Arts Department, 1993, p.159)
Historically, based upon archaeological evidence, while the Davaravadee period, small blast furnaces and moulds for jewellery casts were used. Most of the golden work of the Davaravadee duration was found in the antique cities in the central part of Thailand, such as the antique cities of Uthong, Supanburi, Srithep, Petchboon, Srimahosod, Prachinburi and Nakornprathom. The oldest golden work in Thailand can be grouped into two kinds. The first one is religious golden work; Buddha images or items used in prominent religious worship, for example, the reposing form of Buddha images, or bodhisattva images. an additional one is the golden jewellery found on the sculptures in ascetic places, which were at the time parts of people's lives. There are head-ornaments, earrings, necklaces, belts, arm and wrist ornaments, whose designs were influenced by India. The characteristics of Davaravadee's jewellery are as follows
o Necklaces: The necklaces of the duration of Davaravadee are of various designs. They are octagon-like, star gooseberry- like, star apple- like, rattan ball-like shaped golden bead-necklaces found at the antique city of Uthong, Supanburi.
o Lockets: The lockets found are of various designs. They are in a round shape, like that of the Wheel of Dharma decorated with whether long bell-like, or upturned end triangle-liked shapes with diamonds at the centre. This evidence confirms that symbols in Buddhism have been strongly represented in jewellery for a long time.
o Earrings: The earrings found are of various designs and sizes. The styles discovered mostly are in the shape of a bulb or pear, the ends of which turn to each other. The earrings are created whether with gold with or without patterns. Some have small seeds of diamonds decorated around the rim.
o Rings: The rings are of various designs, such as those with gold without pattern, those with colour stones decorated on top and those gold coiled around.
o Other ornaments: They are, for example, small parts of golden ornaments assumed to be parts of head ornaments.
Other found items are beads, earrings and gold flakes, together with tool made of gold. The prosperity in trading was prominent for about five hundred years. From the eleventh to sixteenth century, the new centre of trading became the kingdom of antique Khmer, which grew in the east and expanded to Davaravadee and Srivichai.
From the twelfth to eighteenth century, the Khmer sway expanded to the east, the northeast and to some parts of central Thailand. Stone inscriptions were found. There were records of religious activities, sacred images and worship items made of gold, together with the imposition on gold use restricted to the king. For instance, the imposition was from the Ayutthaya duration based upon the Deva trust in Khmer culture, which was the prominent convention in governing the kingdom and wholly validated again that essences of religion have been brought into jewellery. From archaeological evidence from the northeastern part, gold ornaments were found such as necklaces, rings, and earrings. They were discovered around Phnom Rung Stone Castle, Buriram. Golden rings inlaid with jewels and See Sao style braided gold necklaces were found at Pimai Stone Castle, Nakornratchsima. Pieces of gold with and without patterns for religious purposes, together with gold ornaments offered to Deva images, such as necklaces and pahurad (a kind of bracelet) created for contribution to Hinduism's devas, or bodhisattvas of Mahayana Buddhism, were also found.
Subsequently, in the nineteenth century, Thais living around Yom Basin gathered and established the Kingdom of Sukothai. The central cities were Sukothai and Srisatchanarai which are now settled in the province of Sukothai. The cities were flourishing in terms of art, culture, and economics. There are archaeological evidences and objects left until today. The designs of the uses of gold for Buddhism, dresses and jewellery discovered are such as, golden rings, eight petal- golden flowers at Wat Mahatath, together with golden Buddha images. The time when the kingdom of Sukothai was settled at Yom Basin was prosperous; an additional one Thai kingdom was called Ayutthaya.
Ayutthaya was situated to the south of Chao Phraya Basin surrounded by three rivers: Lopburi River, Chao Phraya River and Pasak River. Such a location made Ayutthaya an thorough spot for trading, for transportation and goods forwarding, especially from India and China. Ayutthaya became the centre of trading in Southeast Asia. The civilization and power of the kingdom enabled Ayutthaya to annex neighbouring states, together with Sukothai. Finally they were all called the Kingdom of Siam. The evidence showing the prosperity and wealth of the kingdom of Ayutthaya is the gold work discovered at Wat Mahatath. The goldsmiths in Ayutthaya are paramount for producing the best goldsmithing era that is as well skilful as those in our country. Goldsmiths can furnish gold-silver work in thousands of styles, all of which are very beautiful. Gold and silver inlaid work is very cleanly neat, together with the fantastic lines added superbly; they use minuscule water to weld the gold and inlay with gold and silver so skilfully that it is difficult to identify which part is the seam.
The examples of Ayutthaya jewellery are specifically from the mid and late Ayutthaya periods because of the war with Burma, but very few remain. However, from learning sculptures, such as the images of bodhisattva, or the jewellery on the full dressed Buddha images, there were ornaments decorated with 'Prajamyam ', 'Dokjan flower', flowery or flowers in rhombus frame, 'Kra Chang ' or triangle patterns. The Buddha images found can be divided into two groups:
o The first group of jewellery sacred for the Buddha images is similar to the characteristics like the ones inscribed. That is, the head ornaments are decorated with a series of coils overlapping upwards to form a high cone-shape top. The heads are still of the same style with normal Buddha images, which show the heads and the rays.
o The second group of jewellery sacred for the Buddha images with clear amelioration (evolved from the first group of Buddha images) in terms of ornamentation. (Chao Sam Praya National Museum, Ayutthaya and Pra Nakorn National Museum, Bangkok leaflet 2000)
What they have in base are that the lockets are in the broad shape like wide collars; there are strings of ornaments hung from the lockets called Tub suang, which were made as broad gold sheets. The gold sheets were made in dissimilar pieces that could be joined. The front of the locket, at the lowest part, is made as a big broad gold sheet with many peaks and with big 'dokchan ' patterns beautifully inlaid with colourful rubies. Other gold sheets are also decorated with patterns and inlaid with precious stones (Judhawipak 2002, P.42-43).
o Other ornaments are crowns, earrings, Pahurad and arm bracelets. Pahurad is a minuscule bigger than an arm bracelet, which they can resemble. More precisely, the differences are that the lower part of Pahurad is concave and its upper part is pointed. For the arm bracelet, both its upper and lower frames are even (Chao Sam Praya National Museum, Ayutthaya and Pra Nakorn National Museum, Bangkok leaflet, 2000).
Their patterns and designs can be compared with those of dressed sculptures created in the subsequent period. But sometimes the Buddha images were not fully dressed with all the jewellery mentioned.
The prosperity of Ayutthaya lasted for four hundred and seventeen years. Burmese in B.E.2310 destroying historical evidences burnt those.
Later in the same year, Pra Chao Taksin brought liberty to the country and established Thonburi as the capital city. Thonburi was the capital for fifteen years, while which time the city was constantly at war, thus no clear evidence of gold work could be found. Subsequently, Chao Praya Chakri established Rattanakosin, an era as the capital in B.E. 2325, which was restored and prospered until becoming Thailand, the centre of art and culture, economics and trading, as today. For jewellery, there has been schematic amelioration until the gift time. The first king brought the customs and restrictions of Ayutthaya back into use again, together with the rules of gold usage in the court, together with the restrictions on dressing and embellishment according to status, the prohibition against distinct kinds of gold ornaments made for Lowly people. This is because after the changes resulting from being beaten by the Burmese, the old orders, institutions and impositions were omitted. Significantly, jewellery as a sacred object is full of decorations for religion, ornamentation, golden gifts, golden set of items for worshipping the Buddha have been expressed in the old Thai styles, being restored and encouraged to identify the golden work of the Rattankosin period. (Pra Nakorn National museum, Bangkok 2000) Jewellery as sacred objects show how creative the royal goldsmiths were, being able to originate and inflict distinct forms of gold work to show the status of estate of Buddhism in Thai people's minds clearly and most appropriately.
Moreover, the former trust in the relation of Buddhist culture to jewellery in Thailand symbolizes the use of precious colour stones such as rubies, emeralds etc. That heritages since the Ayutthaya period, as can be seen in many types of jewellery. according to former trust (Chandawit 1992, P. 36), Thai habitancy believe there is a guardian angel for each day of the week (Ibid 1992 P. 43-44). Each angel has an individual skin colour.
This trust was referred to by Sunthornphu, who describes the following seven auspicious colours, one for each day of the week:
Sunday: wearing red will bring the wearer good luck
Monday: wearing white denotes long life
Tuesday: blue&purple will bless the wearer with grace
Wednesday: the day for wearing green
Thursday: orange should be worn with a dash of yellow
Friday: grey will bring victory in battle
Saturday: the day to array oneself in purple
In the National Museum in Bangkok, there is a collection of clothes belonging to King Rama Iv (1851-1868) in these seven auspicious lucky colours. As fashion changed, the rule was modified. Traced from a classical novel, Si-phandin 'Four Reigns' (Pramoj, 1948,P.49) while the reign of King Rama V (1868-1910), colours for everyday clothing were defined as follows: (for the lower wrap/for the shoulder sash)
Sunday: green/red or lichee red or pig's blood red/yellow green
Monday: pale yellow/pale blue or deep magenta;pigeon blue/champa red
Tuesday: salmon pink or light purple/yellow green or yellow green/pale purple
Wednesday: iron grey/yellow ochre
Thursday: leaf green/bird blood red or orange/pale green
Friday: deep blue/yellow
Saturday: light purple/yellow green
The trust in the association in the middle of colours and guardian angels was expressed straight through relating colours of gemstones favorable for individual birthdays. For instance,
Sunday: Garnet
Monday: Pearl
Tuesday: Yellow sapphire
Wednesday: Emerald
Thursday: Cat's eye
Friday: Moonstone
Saturday: Blue sapphire (Boonprakob 1999, P. 24)
To conclude, the amelioration of jewellery as a sacred object in the context of Thai Buddhist Culture in various facets throughout the dissimilar eras enabled Thailand to be prosperous, especially in Thai people's minds today. When minds are fulfilled and uplifted, human resources then advantage straight through the amelioration of education, government, economy, science, tradition, customs, art and culture, together with the preservation of peace for over two hundred years. Jewellery, a main facet of this scared culture, has therefore been influenced by such amelioration in order to be consistent with the way of life. Beyond the mere issue of its design, jewellery has been industrialized to fit the use, collective and cultural condition of the Thai people.
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